Impulzus 001 | DAGOR | Painting
Impulzus 001 | DAGOR | Painting
Impulzus 001 | DAGOR | Painting
Impulzus 001 | DAGOR | Painting
Impulzus 001 | DAGOR | Painting
Impulzus 001 | DAGOR | Painting
  • Load image into Gallery viewer, Impulzus 001 | DAGOR | Painting
  • Load image into Gallery viewer, Impulzus 001 | DAGOR | Painting
  • Load image into Gallery viewer, Impulzus 001 | DAGOR | Painting
  • Load image into Gallery viewer, Impulzus 001 | DAGOR | Painting
  • Load image into Gallery viewer, Impulzus 001 | DAGOR | Painting
  • Load image into Gallery viewer, Impulzus 001 | DAGOR | Painting

Impulzus 001 | DAGOR | Painting

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Artist: DAGOR

Title: Impulzus 001 Installation

Size: 128h x 118w x 5d cm (50.4h x 46.5w x 2d in)

Installation: The mural painting installation measures in total 138h x 280w cm.

Media: Acrylic paints, lacquered bronze alloys applied using assemblage technique and mounted on MDF.

Frame: This work is offered ready to install on the wall.

Unique work

'Impulzus 001' is an original artwork by DAGOR, one of Venezuela's most prominent street artist and a leading representative of 'Muralism'.

Fabian Solymar DAGOR is a Hungarian-Venezuelan artist currently based in Caracas, Venezuela who has dedicated himself to drawing and painting since the age of 12 starting with traditional Graffiti and later making interventions in the streets with large fonts under the signature of DAGOR. Over time he has established himself as a leading figure in Venezuelan Street Art, translating his research into geometric abstraction and typography.

DAGOR deconstructs iconic languages of representation and thus his works constitute a universe of reductionist abstraction which echoes the visual languages of modernity while also inserting itself in a deeply contemporary geometry. His research is transported to paintings on canvas, wood assemblage and Muralist interventions. For DAGOR Muralism plays a very important role in his practice, he believes fervently in the positive impact of public art on the culture and welfare of people, creating spaces that can offer a sense of community, places for contemplation and spaces to cement identities.

“Integrating the values from colours or luminosity allows me to obtain volumetric shapes through the amount of darkness and light perceived for each piece based on its color, altering it with the addition of white or black, searching the meeting of light and shade, all with the aim of creating impossible volumes. This impossibility allows me to play with the viewer's perspective, the vision of the  viewer as they interpret what they see becomes decisive for the objective of the work, showing the end result of an objectified idea and emotion that depend on personal perception of the observer.”